2016, like years past, has been full of it. It’s all over our news, our Facebook feeds, our 24-hour news cycles, our pushed updates.
I’m nothing if not sentimental. I have a tragically good long-term memory, and tend to remember the good and the bad in equally vivid measure. I’m also a pack-rat, keeping every correspondence with people I’ve known, some of whom are no longer with us, and some who I lost contact with years ago.
If love could be measured in terms of that correspondence, then I am the most loved person of all. Hundreds, maybe thousands of letters, from college friends, my grandparents, loved ones from years ago are stored in plastic bins which I’ve organized over the years. As I’ve been putting together my book, I’ve been going through my old journals and letters to read what was going on at a particular time in my life – to make sure I have the facts straight. Or at the very least, my interpretation of events at the time.
It has been a journey full of surprises, a teaching tool for me in both in terms of my recovery from substance use disorder, and in terms of understanding how my life in general has unfolded.
It is also one of my defense mechanisms against loss. That person, that event, that thing I loved may be gone, or missing, or estranged. But the piece that worked, the love, the friendship, the enlightenment as it was documented and saved, will be with me as long as I have the capacity to maintain it.
Regarding 2016, I see a lot of false bravado on Facebook, the same kind you find all over internet chat rooms, message boards, and social networks. The irreverent, blasé angsty name-calling and deprecation that has long been a part of adolescent youth culture (which even “adults” are now engaging in.) “You didn’t know George Michael/Prince/David Bowie, so why are crying like a baby?” I even see people doing it with Carrie Fisher, who passed today at the age of 60. “Princess Leia’s dead. So what?” (and these are some of the nicer posts I’ve seen). I could also delve into the more existential “losses” felt by any person or social group negatively affected by Donald Trump’s victory, but I covered that in a different thread.
Then there’s this one: “2016 didn’t suck. People die ever year.” True enough.
And yet it is the great defense mechanism of our culture. It didn’t hurt me, therefore I’m not affected. Therefore, you shouldn’t be either. Every year sucks, so why care, why be shocked, why be sad?
I really don’t need to talk about what kind of impact Star Wars has had on my life. I didn’t weep when Carrie Fisher died, but I certainly “felt” it. The writer of “Watership Down,” Richard Adams, passed away also. It was made into a very disturbing, violent and sad animated film my parents allowed me to watch as a child. I hesitate to watch it again, and I never read the book. However, I felt the emotional knock at the door when I read about his passing.
Then there’s George Michael. As a musician, I feel it when another musician has passed. Because I know what it is to write music. You live life very much like an open nerve ending. You have to learn how to govern what you take in over time, how to process it – the pain and joy alike – or it will consume you. For many years, it did consume me. I sought ways both healthy and unhealthy to redirect and numb myself from it. As it seems like George Michael did also.
I knew of “Wham” peripherally when I was a child. I was 10 or 11 when “Wake Me Up Before You Go Go” came on MTV, and I hated it. It was another in a series of throwback “doo-wop” music for baby boomers who were “30-something” at the time. But in 1987, when his “Faith” album came out, my parents’ divorce was in high gear, and all the awfulness associated with it. Much of the music of 1986-1988 reminds me of that very dark time in my life. “Faith,” “One More Try,” “Monkey,” and “Kissing A Fool” were all songs that stuck with me. I didn’t really pay attention to the music he wrote that came after, except for “Freedom ’90” (solely due to the music video and the supermodels all lip-syncing his vocal parts). But that music produced emotions as vivid in me as I did when I was the scared angry kid that heard them.
My appreciation for “pop” music left after that, and my musical tastes did a complete 180…to Queensryche, to Metallica, and Anthrax…and the even heavier and heavier music it spawned in the decade to come.
So I didn’t know George Michael. I never attended a single concert. But his music had a long and lasting impact on me which I “felt” when I saw that he had passed. And to insinuate that I or anyone else shouldn’t “feel” something because I didn’t know him personally? That you believe – because social media is just one great extension of both the telephone game and a high school classroom – you have say-so over the emotions I feel and the emotions I carry simply because you have a mouthpiece?
Go fuck yourself.
This event, this moment, this person meant something to me. And someday, you will hit a wall where you also will lose something of value. Because that’s life. I can promise you I won’t be there to tell you “how it is” simply because I’m insecure with what I believe.
Much of life is something we have to “feel” our way through. There’s the pain, then you embrace it, feel it, allow it in, then let it wash away. Because all emotions eventually run their course.
I will not allow myself to become jaded ever again, to hold back because emotional expression isn’t “cool,” or warranted in our culture. If something means something to me, I will allow myself to feel it and express what I choose in the way that I choose. And I won’t blame you for doing likewise. I expect the same respect in return.
Because to do anything else is disingenuous.